From Defenseless to Defiant: The Redefinition and Reclamation of Porcelain in Sally Wen Mao’s "On Porcelain"
In keeping with the course title, for this assignment from my freshman writing course, “Image and Text”, students analyzed a poem or collection of poems from a class-provided packet. The aim was to extend discussion beyond rhetorical analysis alone and instead explore how text and image interact in the selected piece(s). My essay considers how form and content interact in a selection of urn-shaped poems by Sally Wen Mao to drive Mao’s redefinition of porcelain — a proxy for eastern resistance against the western exorcized gaze.